IK Multimedia has released a dedicated software editor for its first hardware synth, the true analog UNO Synth. Designed to offer deep control, the editor provides easy access to all parameters and provides advanced music making capabilities beyond the UNO Synth's compact front panel, with convenient support for Mac/PC and iOS devices. Beyond traditional software editors, the UNO Synth editor offers the ability to function both as a standalone application (Mac/PC/iOS) and an integrated plug-in with total recall (Mac/PC), for use in the studio, live performance or on-the-go music creation. It provides seamless integration and control of every parameter, and allows for easy customization of presets and for preference editing.

Analog and digital studios meet The editor can be used as a software plug-in (Mac/PC) for all major DAWs including Ableton Live, GarageBand, Logic, Pro Tools, Cubase, Studio One, Reaper and more, for seamlessly creating, storing and recalling settings in a session. For iOS. mobile musicians, the editor is also available as a free download for both iPhone and iPad, with full support for the new iPhone X. The UNO Synth Editor app offers all the same great control as the Mac/PC version.A lightning to USB adapter is required; iPhone/iPad operation requires battery power.

Virtual control with realtime response For more precise control, the editor incorporates a full-size GUI that maintains the same look and feel as the UNO Synth hardware panel, while offering deeper programming settings and new sound sculpting options. Users can easily access functions on an intuitive virtual panel that offers even more ways to shape their sound.

Ik Multimedia Release Uno Synth Editor For Mac

For extreme flexibility, UNO Synth responds to parameter changes from the editor in real-time, while the editor can track changes made on the UNO Synth's front panel. All edits can also be saved directly into the UNO Synth, for instant recall. The editor can also be used to change the operation of the Uno Synth's front panel knobs to suit different users' hands-on preferences. Three modes can be selected - Absolute, Relative and Pass-Through - to determine how the knobs behave when moving between different parameters, based on the user's preferred style of operation. Create amazing sounds The editor's Synth panel includes virtual knobs that allow users to easily tweak and edit synthesis parameters such as the oscillators and envelopes, fine tune additional control parameters, animate performance effects and much more. In addition, a full 88-note virtual keyboard is included, as well as virtual pitch and modulation wheels.

Specific Synth Panel sections include: Oscillators and envelopes - this section lets users modulate waveform shapes for each oscillator via LFO or the filter envelope. Pulse width (Classic PWM) can also be modulated in the same way.

In addition, full ADSR access is provided for both the filter and the amplitude envelopes for creating sweeps, punchy basslines, and more. Amount knobs - users can control UNO Synth's five performance effects, by setting the speed of the DIVE and SCOOP pitch effects and setting the depth of the VIBRATO WAH and TREMOLO, adding instant and deeper animation. For even more precise control, additional Amount knobs are provided for ModWheel, Velocity, Delay Mix and Time, Pitch Bend and Glide. Make your preferences known The editor software is also useful for setting preferences.

A dedicated menu allows an array of options to be set, ranging from routing to knob behavior selection. Users can adjust all settings including In and Out channels, Sync, Overflow and Soft Thru. Connect your rig UNO Synth can be configured for convenient integration in an existing rig. Users can map routings to freely assign communication across both the DIN ports and USB ports.

Outboard gear and virtual apps can be instantly connected, enabling UNO Synth to be used as both a interface and controller. Set and save Presets stored on the UNO Synth, a Mac/PC, or an iPhone/iPad can be loaded into the editor for further refining. Edits can be saved directly in the editor, or loaded back into the UNO Synth, computer or iPhone/iPad. When used with a DAW, the UNO Synth editor will also recall settings from the previous session.

About UNO Synth Designed for everyone interested in rich, true analog sound, the affordable, monophonic UNO Synth offers massive sound, a wide sound palette, and easy programmability in an ultra-portable, battery-powered format for on-the-go music creation, live performance or studio recording. UNO Synth packs a powerful synth engine with professional sound and a full analog audio path on par with more expensive synthesizers. It includes two independent oscillators; a 2-pole OTA-based, analog, resonant, sweepable multimode filter; seven LFO waveforms, and much more. It delivers everything from classic to modern sounds to create music in any genre. First-time synth users get instant gratification from this easy-to-use instrument. With 100 presets, an easy-to-play capacitive-sensing keyboard with selectable scales and an arpeggiator, UNO Synth is a perfect gateway into the synthesizer world.

Experienced pros will also love its rich sound and easy portability. Made in Italy, UNO Synth's ultra-compact dimensions make it among the smallest monophonic synths available. Its light weight (only 400g) and battery power (4xAA included) or USB power-supply (for battery power banks) give musicians the freedom to make music anywhere. How to obtain The UNO Synth editor is available as a free download for everyone (requires firmware 1.1.1 or above). For more information and to download the editor, please visit: To see more of the editor and to watch the UNO Synth tutorial series, visit: For more information about UNO Synth, please visit.

Today it’s all about IK Multimedia’s latest analog synth hardware. IK’s is largely considered to be for those with a budget in mind or as amazing beginner rigs for aspiring producers. The new is designed to be just that with an extremely competitive price tag and wide platform compatibility with your existing recording environment. After having the chance to put the portable analog synthesizer to the test over the last couple weeks in some electronic-based music productions and more, it’s time to see what the new is packing. IK’s new UNO synth is largely designed around portability and as far as I’m concerned, being a great entry-level, or gateway drug, into the world of analog synth hardware.

It doesn’t have all the bells and whistles of some of the more well-known brands, but at $199.99 that is to be expected. The question here is whether or not the UNO synth has enough meat on its bones to warrant a closer look from those looking to get into hardware on a budget and maybe even over indulgent pros with an extra $200 to drop. Build Quality: The UNO is a small, portable analog synthesizer that is powered via USB or a 4 AA batteries. Immediately upon unboxing the unit, I noticed how light it was and the almost tablet-like shape of the synth. It has a small lip built-in to the frame of the unit so it can sit on your desktop or a tabletop at a convenient angle.

For the most part, I’m into the sleek physical shape of the unit and the thin bezel-like framing around the outer perimeter even if I would have preferred a more 3D-like approach to some of those flat front-panel controls. Features: It carries two analog multi waveform oscillators along with a noise generator.

The fully resonant, multi-mode filter supports your typical low pass option along with a high pass and band-pass modes. It is a two-pole, 12dB filter with bit of a brassy tone to it. It isn’t as harsh as I would like, but all things considered it out performed my expectations, especially with the available, front panel modulation options and built-in drive control. UNO has full ADSR filter and amplitude envelopes, although only the attack and release portions are available as front panel controls on the unit itself with the decay and sustain phases left in the companion Mac/iOS editor (more on that below). UNO’s LFO supports a series of wave shapes from sine and square to sample and hold. We get physical controls for the wave selection, rate as well as normalized connections to the oscillator pitch and filter cut-off. Performance Controls: UNO has 6 preset performance controls: Dive, Scoop, Vibrato, Wah, Tremolo, and Hold.

A great little feature for beginner synthesists/music makers as well as being a unique option in general, these options offer up simple ways to add interesting pitch bends and nuances to a part or performance. You can think of them as high-level macro controls for preset modulation paths that can be turned on and off as part of a performance with a simple touch of a button. The vibrato, wah and tremolo are tied to the main LFO setting to some degree but you can dig in a little deeper with them and get into more complex performances via the Mod Wheel section inside the companion software editor. While I personally would have liked to see more typical physical controls for the Pitch Bend and Mod Wheel alongside the Performance controls, these preset style performance options are great for impromptu sketches in combination with the sequencer. They are also fantastic for those just looking to make some crazy synth sounds without diving into sound design all that much. Sequencer/Arpeggiator: The sequencer works as expected without being overly robust, but the arpeggiator has loads of playback modes and a four octave range. That’s more than enough juice for your next Stranger Things theme song cover on YouTube.

You’ll also find a nice built-in delay unit which really gives this thing a lot of mileage. Anyone with a couple of hardware synths and some guitar pedals knows how much fun a delay unit can be attached to a hardware analog synth and UNO has you covered. IOS/Mac Integration & Editor: UNO is completely compatible with your Mac and iOS DAW setup. I was able to get it loaded up as an External MIDI Instrument inside of Logic within seconds of connecting the synth to my computer and downloading the free Editor app. It essentially works the same way just about all big name hardware synths with MIDI do. Autoflix netflix download for mac. That means you can record and send MIDI performances from a track in Logic out to your UNO Synth and back again, easily integrating it into your productions.

You can get more details. You can create patches and store as many as 100 of them on the physical unit. But you can create as many presets as you want, store them on your computer and then “upload” the most pertinent 100 of them to the unit depending on the application at hand as well. Final Thoughts: After having UNO integrated in to my Mac Pro battle station for a couple of weeks now, I can easily say it sounds a lot better than I thought it would.

The modulation options and overall controls are a little bit limited for someone who already has more expensive analog hardware in their collection, but all things considered, I’m impressed at $200. Any experienced synth player is certainly going to have all kinds of suggestions on what’s missing and what could make it better, but as far as I’m concerned, it hits all the major points beginners need to get a handle on. The filter sounds quite good and the overall compatibility with Mac and iOS DAW setups was on par as any of the big names in the space. Those performance buttons are great for beginners and scale keyboard option can help out in that regard as well. You can lock the normally chromatic keyboard to various scales which can be great for finding new ideas and the like no matter how experienced you are. I’m not in love with the feel of the flat design on most of the front-panel toggle switches and buttons, but everything is quick, responsive and works just fine.

The multi-mode knobs along the top of the UI are quite robust and won’t be falling off anytime soon with normal wear and tear. It always nice to have knob-per function style layouts on hardware synths, but these kinds of things drive the cost of the unit up significantly and IK has implemented a tidy multi-function system on the top panel. The free UNO Synth Editor app offers up some of the additional features and controls IK couldn’t squeeze on the front panel as physical controls. Considering the price here, I think IK did a good job getting as much as possible in physical form, but it would have been nice to see the Oscillator Shape and Pulse Width modulation sources easily accessible inside the LFO section on the actual unit. I would suggest that might actually be one of, if not the best introductory options for those looking to dive into hardware instruments.

In some cases, when computer producers try to bring their creativity outside of the box with hardware like UNO, things don’t always pan out the way they would like. Whether it be the few extra steps it might take to get the synth into your MP3 or having to stray away from those beloved Software synths, it just doesn’t end up being as practical as it sounds sometimes.

Having said all that, if you’re on the fence in that regard, is an extremely affordable and solid sounding analog instrument to figure it all out. The are: and Want more Logic Pros? Check out the.